RICKY SKAGGS AND KENTUCKY THUNDER
Fifteen-time GRAMMY® Award-winner Ricky Skaggs’ career is easily among the most significant in recent country music history. If Skaggs’ burgeoning trophy case full of awards wasn’t already enough evidence of that fact, consider that legendary guitarist Chet Atkins once credited Skaggs with “single-handedly saving country music.” His life’s path has taken him to various musical genres, from where it all began in bluegrass music, to striking out on new musical journeys, while still leaving his musical roots intact.
Born July 18, 1954 in Cordell, Kentucky, Skaggs showed signs of future stardom at an early age, playing mandolin on stage with bluegrass pioneer Bill Monroe at 6 and appearing on TV with Lester Flatt & Earl Scruggs at 7. He emerged as a professional bluegrass musician in 1971, when he and his friend Keith Whitley were invited to join the legendary Ralph Stanley’s band the Clinch Mountain Boys. 
Skaggs then went on to record and perform with progressive bluegrass acts like the Country Gentlemen and J.D. Crowe & the New South, whose self-titled 1975 Rounder Records debut album was instantly recognized as a landmark bluegrass achievement. He then led Boone Creek, which also featured Dobro ace and fellow New South alumnus Jerry Douglas.
But Skaggs turned to the more mainstream country music genre in the late ‘70s when he joined Emmylou Harris’s Hot Band, replacing Rodney Crowell. He became a recording artist in his own right in 1981 when his Epic label debut album Waitin’ for the Sun to Shine topped the country charts and yielded a pair of #1 hits. Overall, his productive stay at Epic Records would result in a total of 12 #1 hits. Additionally, he garnered eight Country Music Association Awards--including the coveted Entertainer of the Year trophy in 1985.
Skaggs, of course, fit right in with young “new-traditionalist” ‘80s artists like Randy Travis, and helped rejuvenate the country music genre after the worn-out “Urban Cowboy” period. But, Skaggs put his own stamp on the country format by infusing his bluegrass and traditional country music roots into the contemporary Nashville sound.
Skaggs’ 1997 album Bluegrass Rules!, released on his newly-formed Skaggs Family Records label, marked a triumphant return to bluegrass—which he’s solidified ever since with a series of GRAMMY® Award winning albums, recorded with his amazing bluegrass band, Kentucky Thunder (8-time winners of the IBMA ‘Instrumental Group of the Year’). Skaggs’ label has also served as a home for similar bluegrass and roots music-oriented artists including The Whites.
In the past decade, he has been honored with inductions into the Gospel Music Association’s Gospel Music Hall of Fame and the Musicians Hall of Fame. In 2018, a landmark year, Skaggs was also awarded membership into the National Fiddler Hall of Fame, the IBMA Bluegrass Music Hall of Fame and country music’s greatest honor, the Country Music Hall of Fame. Most recently, he was awarded the prestigious National Medal of Arts in 2020 for his contributions to the American music industry.
Ricky struck his first chords on a mandolin over 60 years ago, and he continues to do his part to lead the recent roots revival in music. Clearly his passion for it puts him in the position to bring his lively, distinctively American form of music out of isolation and into the ears and hearts of audiences across the country and around the world. Ricky Skaggs is always forging ahead with cross-cultural, genre-bending musical ideas and inspirations.

John Doyle - Opener

In 1994 John Doyle brought his brilliant and innovative guitar stylings to the nascent Irish super-group Solas, which soon took the folk and Celtic music worlds by storm. As part of that critically acclaimed group, he received three NAIRD awards and a Grammy nomination, performed internationally to sold out audiences, and appeared on The Today Show, Mountain Stage, and A Prairie Home Companion.
In the years since going out on his own, John has recorded two solo albums, including Wayward Son, which The Irish Edition hailed as “a contender for Album of the Year”; and has become a highly sought after accompanist and session player for the likes of Joan Baez, Eileen Ivers, Tim O’Brien, Linda Thompson, Seamus Egan, Alison Brown and Kate Rusby; and has developed compelling duo performances, first with fiddler Liz Carroll and more recently with Solas’ co-founding vocalist Karan Casey.
John has appeared on soundtracks for feature films The Brothers McMullan and Solider, as well as PBS’s Out of Ireland. He composed the music for the film Uncle Robert’s Footsteps and the play Down the Flats. Impossibly in demand in the studio and on the road, immensely talented and blessed with an acute ear, a wicked sense of rhythm and seemingly endless streams of magic in his playing, composing, performing and producing, John is solidly establishing himself as one of the most versatile, creative, and prolific voices in folk and traditional Irish music.