Headliner :: The Milk Carton Kids
Opener :: Kaia Kater

The Milk Carton Kids

Listening to The Milk Carton Kids -- Joey Ryan and Kenneth Pattengale -- talk about their creative process, it’s easy to imagine them running in opposite directions even while yoked together. “Joey and I famously have an adversarial relationship,” Pattengale says. They dig at each other in interviews and on stage, where Ryan plays his own straight man, while Pattengale tunes his guitar. The songs emerge somewhere in the silences and the struggle between their sensibilities. They have been known to argue over song choices. They have been known to argue about everything from wardrobe to geography to grammar. But their singing is the place where they make room for each other and the shared identity that rises out of their combined voices. Defying the conventions of melody and harmony is a strategy The Milk Carton Kids have consciously embraced. “Sometimes we’ll switch parts for a beat or a bar or a note,” Ryan says. “And that starts to obfuscate what is the melody and what is the supporting part because we think of both of them being strong enough to stand alone.”

“There are only so many things you can do alone in life that allow you to transcend your sense of self for even a short period,” Pattengale continues. “I’m the lucky recipient of a life in which for hundreds of times, day after day, I get to spend an hour that is like speaking a language only two people know and doing it in a space with others who want to hear it.

The Only Ones, the group’s new record (out now on the band’s own Milk Carton Records imprint in partnership with Thirty Tigers), finds Ryan and Pattengale performing a stripped-down acoustic set without a backing band. On The Only Ones, the pair returns to the core of what they are about musically: the duo.

Ryan and Pattengale also recently hosted the 18th annual Americana Honors & Awards for the second year in a row, while the group has been nominated for three Grammy Awards: Best Folk Album in 2013 (The Ash & Clay); Best American Roots Performance in 2015 (“The City of Our Lady”); and Best Engineered Album, Non-Classical, in 2018 (All the Things That I Did and All the Things That I Didn’t Do).

Over the past few years, life has changed dramatically for The Milk Carton Kids. Pattengale has moved to Nashville, where he is also producing records; Ryan is now the father of two children and works as a producer on Live from Here with Chris Thile. A break from years of non-stop touring, Ryan says, has yielded “space outside of the band that gives us perspective on what the band is.”

Kaia Kater

Kaia Kater draws on her diverse influences in Quebec, the Caribbean, and Appalachia, bringing them together to present an exciting musical direction. Known for her prowess as a songwriter and tradition bearer who performs with “the skill of a folk-circuit veteran” (Rolling Stone), Grenadian-Canadian artist took a decidedly different direction for Grenades. What started out as a search to discover the roots of her identity became a physical and emotional exploration of history, in particular her paternal ancestry, and has led to bold new heights of imagination and creative expression. She grew up between two worlds: one her family’s deep ties to the Canadian folk music scene; the other the years she spent soaking up Appalachian music in West Virginia. Her father grew up in Grenada, fleeing to Canada in 1986 as part of a youth speaker program, after the U.S. invasion.

Starting her career early, Kaia released her first EP Old Soul (2013) when she was just out of high school. Since then, she’s gone on to release two more albums, Sorrow Bound (2015) and Nine Pin (2016). Her most recent album weaves between hard-hitting songs that touch on social issues like the Black Lives Matter movement and more personal narratives speaking to life and love in the digital age. Nine Pin won a Canadian Folk Music Award, a Stingray Rising Star Award, and sent Kaia on an 18-month touring journey from Ireland to Iowa, including stops at The Kennedy Center, Hillside Festival and London's O2 Shepherd's Bush.

In 2021, Kaia took part in the Slaight Music Residency at the Canadian Film Center and released a new single "Parallels" in October. She continues to write music for film, and is working on a full length album, to be released in late 2022.