Thursday, February 26, 2026 Charleston Pour House Main stage 7:30pm doors / 8:30pm show $20 advance / $25 day of show
Kelsey Waldon & The Muleskinners
Waldon honors her granny with the song “Tiger Lilies.” She didn’t want an over-the-top sentimental song, so she instead leaned into the idea of traditions as a way to remember loved ones. “I’m sure Granny would love it,” Waldon says.
Every Ghost concludes with a Hazel Dickens cover, “Ramblin’ Woman.” Waldon covered two Dickens songs on 2024’s There’s Always a Song and had added “Ramblin’ Woman” to their live sets as well. While Waldon didn’t originally intend to include their cover on this album, it served as “a sonic star” during the recording process and has a message Waldon feels is still relevant decades after Dickens wrote it. “Hazel was ahead of her time,” Waldon says. “Our existence is more than just what society expects of us. We’re more than just somebody’s girlfriend or wife or mother, and those are all beautiful things, but we can have our own independence, and we don’t have to do it for anybody else. We’re beautiful, magical, and powerful creatures.”
That’s certainly how Waldon sees herself after completing Every Ghost. “It feels like there’s a spirit of fearlessness throughout this album,” Waldon says, “and I’m really proud of that.” Waldon’s fearlessness is among the reasons she landed at Oh Boy Records in 2019, as the independent label’s first new signee in 15 years. It’s attracted fans to her headline tours and her festival sets, and prompted artists including Tyler Childers, Charley Crockett, Robert Earl Keen, Margo Price, and Lucinda Williams to invite her on tour. It helped earn her both the title of “Kentucky Colonel” — an honor recognizing goodwill ambassadors of Kentucky’s culture and traditions — and a spot in the Country Music Hall of Fame and Museum’s annual American Currents exhibit in 2024.
“True outlaw shit is sticking to your guns, and I feel like I’m doing that,” Waldon says. “I’m not saying I’m unbreakable, but I feel almost unbreakable. I’ve already hurt the worst that I could and lived to tell the story. We can be thankful for our ghosts."
Taylor Hunnicutt
Taylor Hunnicutt makes old-school southern music for the modern world. She's a proud daughter of Alabama, writing songs that nod to the state's tradition of country storytelling, rock 'n' roll rebellion, and guitar-driven grit. Sharpened by a touring schedule that's kept her on the road for roughly 200 days a year, she makes her full-length debut with Alabama Sound — an album that unfolds like a love letter to the American South, written by a road warrior who's spent most of the decade far away from home. "It's a little country, a little singer/songwriter, a little Americana, and a lot of soulful southern rock," says Hunnicutt, an opera-trained vocalist who began writing songs after dropping out of music school, landing a waitressing job at a blues juke joint, and sitting in with the bands that came through town. She's no longer the guest artist, though — she's the main act, and Alabama Sound showcases her high-energy, hellraising brand of southern stomp, country-rock twang, and amplified attitude.
*By purchasing a ticket, you agree to receive emails from ARTIST and PROMOTER.
*Show is 21+. Attendees under the age of 21 must be accompanied by a parent or guardian. Attendees under 21 will be subject to a $5 surcharge. The surcharge must be paid in cash at the door on the day of the event.
Thursday, February 26, 2026 Charleston Pour House Main stage 7:30pm doors / 8:30pm show $20 advance / $25 day of show
Kelsey Waldon & The Muleskinners
Waldon honors her granny with the song “Tiger Lilies.” She didn’t want an over-the-top sentimental song, so she instead leaned into the idea of traditions as a way to remember loved ones. “I’m sure Granny would love it,” Waldon says.
Every Ghost concludes with a Hazel Dickens cover, “Ramblin’ Woman.” Waldon covered two Dickens songs on 2024’s There’s Always a Song and had added “Ramblin’ Woman” to their live sets as well. While Waldon didn’t originally intend to include their cover on this album, it served as “a sonic star” during the recording process and has a message Waldon feels is still relevant decades after Dickens wrote it. “Hazel was ahead of her time,” Waldon says. “Our existence is more than just what society expects of us. We’re more than just somebody’s girlfriend or wife or mother, and those are all beautiful things, but we can have our own independence, and we don’t have to do it for anybody else. We’re beautiful, magical, and powerful creatures.”
That’s certainly how Waldon sees herself after completing Every Ghost. “It feels like there’s a spirit of fearlessness throughout this album,” Waldon says, “and I’m really proud of that.” Waldon’s fearlessness is among the reasons she landed at Oh Boy Records in 2019, as the independent label’s first new signee in 15 years. It’s attracted fans to her headline tours and her festival sets, and prompted artists including Tyler Childers, Charley Crockett, Robert Earl Keen, Margo Price, and Lucinda Williams to invite her on tour. It helped earn her both the title of “Kentucky Colonel” — an honor recognizing goodwill ambassadors of Kentucky’s culture and traditions — and a spot in the Country Music Hall of Fame and Museum’s annual American Currents exhibit in 2024.
“True outlaw shit is sticking to your guns, and I feel like I’m doing that,” Waldon says. “I’m not saying I’m unbreakable, but I feel almost unbreakable. I’ve already hurt the worst that I could and lived to tell the story. We can be thankful for our ghosts."
Taylor Hunnicutt
Taylor Hunnicutt makes old-school southern music for the modern world. She's a proud daughter of Alabama, writing songs that nod to the state's tradition of country storytelling, rock 'n' roll rebellion, and guitar-driven grit. Sharpened by a touring schedule that's kept her on the road for roughly 200 days a year, she makes her full-length debut with Alabama Sound — an album that unfolds like a love letter to the American South, written by a road warrior who's spent most of the decade far away from home. "It's a little country, a little singer/songwriter, a little Americana, and a lot of soulful southern rock," says Hunnicutt, an opera-trained vocalist who began writing songs after dropping out of music school, landing a waitressing job at a blues juke joint, and sitting in with the bands that came through town. She's no longer the guest artist, though — she's the main act, and Alabama Sound showcases her high-energy, hellraising brand of southern stomp, country-rock twang, and amplified attitude.
*By purchasing a ticket, you agree to receive emails from ARTIST and PROMOTER.
*Show is 21+. Attendees under the age of 21 must be accompanied by a parent or guardian. Attendees under 21 will be subject to a $5 surcharge. The surcharge must be paid in cash at the door on the day of the event.
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